Edgar Degas @ 178

“Everyone has talent at twenty-five. The difficulty is to have it at fifty.”
Edgar Degas

The art world is commemorating Edgar Degas’ 178th birthday. I have always wondered about our preoccupations with birthdays, because there are so many other days to celebrate.  Perhaps it speaks to beginnings, the prelude to being, or maybe it’s simply the joy and freshness of new life.

Edgar Hilaire Germain Degas was born in 1834, Paris, France.  To place this time in history, consider that the French Revolution took place in 1789 – 1799, the Battle of Waterloo and defeat of Napoleon occurred on June 18, 1815 followed shortly thereafter by the restoration of the Bourbon King Louis XVIII to the throne.  But not all were happy.  The republican uprisings occurred in Lyons (1831), in Paris (1832) and again in both cities in 1834, the very same year that welcomed our birthday boy.

Edgar Degas was wealthy, the son of a banker.   His father, wanting a good life for his son, suggested the legal profession.  Degas attempted the legal studies in 1853, but his longing to immerse himself in the art world prevailed.  The École des Beaux-Arts in Paris was a welcome relief to academia.  Soon he was travelling to Italy to see (and copy) the masterpieces by Michelangelo, Raphael and Titian. From that point on, there was no turning back.

In 1862, Degas met Édouard Manet, in front of a Velazquez, on one of many his trips to the Lourve.   This was his introduction to the future Impressionists.  Edgar Degas is usually categorized with the Impressionists.  Indeed, he exhibited with them in seven of the eight Impressionist exhibitions.  His classical training and his dislike of painting directly from nature set him apart from the rest.  But he shared Monet’s love for Japanese prints, which encouraged him to try-out new perspectives.

Degas’ financial background held him in good stead.  He controlled the value of his work by only signing those pieces which he sold or exhibited. His subjects were from his high-born circle of influence: ballet rehearsals, opera houses, and race courses.  His wealth also allowed him to travel extensively:  1) With his brother, to New York and New Orleans in 1872-1873 and 2) To Spain, in 1880 where he etched with Pissarro and Cassatt.

Degas suffered from failing eyesight from the mid 1870s.  This did not stop him.  As a work-around, he took up photography at 61, experimented with pastels, and created small sculptures of dancers and horses .    We lost him on September 27th, 1917, at the age of 83, but his dancers live on in timeless splendour.

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For more on Edgar Degas, check out Clanmother on Pinterest.

A Burning in Naples

“It is art that makes life, makes interest, makes importance . . . and I know of no substitute whatever for the force and beauty of its process.” Henry James (April 15, 1843 – February 28, 1916)

Henry James may have died in the early part of the 1900’s but his ideas are alive and well, especially in Naples, Italy. Antonio Manfredi of the Casoria Contemporary Art Museum has taken matters even further when it comes to defending the art process. He is aggressively protesting government cutbacks and lack of support for the cultural sector. Aggressive is not the word – perhaps forceful, even destructive. He is making a stand by burning art. Media reports state that the only hostages taken are works of art with the blessing of the artists. Séverine Bourguignon’s La Promenade, a floral canvas valued at approximately $9,000 to $13,000 CAD, was the first to burn on April 19, 2012. According to the Guardian, Manfredi has 1000 works which are in jeopardy.

Antonio Manfredi is serious – his establishment, Casoria Contemporary Art Museum (Cam), is in dire need of funds. The Italian government has made difficult fiscal choices. Art and culture are easily sacrificed during times of economic upheaval. But there’s another side. Cam is located in a socially deprived part of Naples. If Cam shut the doors, the whole community would suffer from the closure.

This is a war. This is a revolution. And in a revolution, there are winners and losers.

Antonio Manfredi

The problem is real and, undoubtedly, there are winners and losers. I do not have any answers but I know that our economic vitality is closely linked and dependent upon our cultural heritage.  I hope the burning stops!   We need all the art that is created.

What if these paintings had been burned?

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